Tales from the Story Catcher by Joules Young.
The Imaginarium Review
Where Worlds Collide & Stories Take Root
Greetings, fellow adventurers of the page and screen.
Last week, we promised you a deep dive into Food as
a Love Language in Fantasy. We had the spread all laid out: the rice ball
from Spirited Away, the Famous Five’s ginger beer, a veritable
feast of fictional sustenance. But, as so often happens in the best stories, a
different path presented itself—a quieter, more whimsical lane, dusted with
icing sugar and smelling of warm pastry.
We were ambushed by a book. Or rather, by a feeling.
So, forgive this delightful detour. We must, this week,
break our own format. We must dedicate this entire space to a single,
extraordinary discovery: Tales from the Story Catcher by the
marvellously whimsical Joules Young.
A Discovery: On Whimsy, War, and Waffles
Sometimes, you find a book that doesn’t feel written so much
as found, like a perfectly smooth stone in your pocket or a message
in a bottle washed up on a familiar shore. Tales from the Story Catcher is
such a book. It arrives not with the fanfare of a blockbuster, but with the
gentle, insistent tug of a friend’s hand, leading you to see the magic in a
dewy cobweb you’d almost walked past.
From its very dedication—“To little things long
remembered / To Moonlight walks and shooting stars”—this book establishes
its territory. It is a map not of grand continents, but of the secret,
overgrown corners of the heart. It is a collection of stories read aloud, meant
to be heard in the mind, and it carries the warmth of that
intention on every page.
We must, of course, discuss the tale that utterly captivated
us: “Wobbleton-upon-Jelly, the War of the Whiffle Waffles.”
The Review: A Syllabus for Enchantment
To call this a story about two pig bakers defending their
shop from militant breakfast foods is to describe The Wind in the
Willows as a story about some animals who live near a river. It is
true, but it misses the music.
The World: Wobbleton-upon-Jelly exists in that sublime
borderland between Nonsense and Profound Sense. The sky is “a generous shade of
jam tart pink every Thursday.” Cows hum in tune. The wind tells rude jokes.
This is not fantasy as escape, but fantasy as a corrective lens—it
shows us our world, but softer, kinder, and infinitely more interesting. It is
the spiritual heir to the Hundred Acre Wood and the Midsummer Night’s Dream, a
place where the logic is the logic of the heart.
The Heroes: Fizzwick Tumblebutton and Toddy Brimblethatch
are instant classics. They are not heroes of might, but of character.
Fizzwick, who reads books upside down, represents a curious, resilient
optimism. Toddy, who can make talking to a squirrel sound like a grand toast,
embodies the radical act of treating every moment—and every being—with
celebratory respect. Their weapons against the syrup-drizzling Luftwaffes are
not swords, but scones, jam, and an unshakeable partnership.
The “Villain” & The War: The
Whiffle Waffles are a stroke of comic genius. They represent the tyranny of the
single-minded, the fanaticism that cannot abide the existence of pies in a
world they decree for waffles alone. Their cinnamon bombs and toffee-traps are
the perfect metaphor for the kind of conflict that is both utterly absurd and
deeply felt—a sibling squabble on a geopolitical scale, a culture war fought
with confectioner’s sugar. It is satire so gentle it feels like a caress.
The Heart: Beneath the sugary mayhem, this is a story
about finding your “Brimblebutton’s Rest.” It’s about the
journey from the ambitious, licence-requiring hustle of “Marmalade Junction”
(where even unicorn horns are for sale), through the forced exile and lonely
pop-up stalls of a bewildering “London,” to the final, quiet farm where you bake
“not for the fame or fortune, but simply because it brought them joy.” It is,
quietly and powerfully, a story about healing, about choosing a quiet, creative
life after the bombs—even cinnamon-scented ones—have fallen.
The Author’s Spell: Joules Young
This book could only have come from a particular kind of
soul. Joules Young writes with the cadence of a born storyteller, one who
understands that the true magic is in the telling. The recurring refrain of the
“Story Catcher” segments—to Look, Listen, Linger, Laugh, and Love—is
more than a sign-off. It is the book’s thesis. It is an instruction manual for
how to live a life that notices the whimsy, that collects stories from the
everyday.
In an age of relentless narrative urgency, Young offers
lingering. In a time of cynicism, Young offers a laugh that is never a sneer,
but a shared delight. This is the kind of writing that doesn’t shout to be
heard over the noise; it simply changes the quality of the silence around you,
filling it with the hum of contented cows and the hopeful creak of The
Flying Scone.
Imaginarium Rating: ⭐⭐⭐⭐⭐ (A Rare and Necessary Magic)
This book is a sanctuary. It is a cup of tea and a warm blanket for the
imagination. It is, in the very best way, a little thing long remembered.
We will return to our themed explorations next week. But for
now, we needed to share this discovery with you, our fellow travellers. Some
books are not just to be reviewed, but to be gifted to the
right circle of readers. Consider this ours to you.
Find a copy. Read it aloud, if you can. Let it remind you
that bravery can be found in a bakery, that home is where you plant your plum
trees, and that a world where pigs can bake is a world worth defending, one
perfect pie at a time.
Yours in endless (and newly whimsical) wonder,
The Curator of The Imaginarium Review
P.S. The book’s dedication ends: “To D,
Young / From the girl who painted stories and the boy who sat beside her.” We
like to think that somewhere, in their own Brimblebutton’s Rest, Fizzwick and
Toddy are raising a cup of tea to them, too.
A Little Note From The Curator...
While writing this, I went looking for the perfect passage
to read aloud to a friend—the kind that demands to be shared in a voice, not
just on a page. In doing so, I stumbled upon the loveliest thing: a free, full
audio copy of Tales from the Story Catcher over at hocksbox.co.uk.
It’s read with such warmth and twinkly-eyed charm that it
feels less like a recording and more like being invited to pull up a chair in
Joules Young’s own storytelling parlor. If you’d like to let the tale of
Wobbleton-upon-Jelly wash over you while you sketch, bake, or simply stare out
the window, I can’t think of a more perfect way to do it.
The site itself is a bit of a hidden treasure—it’s the home
for Hocksbox: A Year in Stories, the beautiful universe Joules
Young is building, published by Hollyhock Books. It feels less like a website
and more like a friend’s gently uncluttered, wonderfully inviting study. If
you’re in the mood for a digital wander somewhere soft and imaginative, I’ve
left the gate unlocked for you.
Just a suggestion, for when you need a story to Listen,
Linger, and Laugh with.


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